In the name of Err the most merciful


I hope you can see this, because I’m doing it as hard as I can.

Some days, it’s safe to believe that the Spectacle is just some abstraction a bunch of dead French guys couldn’t stop yammering about. Other days, it’s hard to accept that they weren’t writing straight journalism – and that more competently than anyone at Reuters or the BBC.

Welcome (back) to the desert of the real.

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