Shaping Cities contribution, “Of Systems and Purposes: Emergent technology for the skeptical urbanist”

I am very pleased, and every bit as proud, to announce the publication of the latest SUPERTOME to emerge from the Urban Age process, Shaping Cities in an Urban Age, and with it my essay “Of Systems and Purposes.” It won’t contain anything to startle those of you who have been following my work for awhile — you’ll see, for example, that I once again return to the Beer well — but I do think it’s a pretty neat distillation of my thought about cities and technology as it’s developed over the past several years. I reprint it here for your enjoyment.

I’m particularly delighted that my work is featured alongside that of so many urbanists I respect enormously, in such a physically beautiful edition. My congratulations to Ricky Burdett, Philipp Rode, and especially the book’s indefatigable production team.

The legendary technologist Alan Kay once said that “the best way to predict the future is to invent it.”
 
Kay could perhaps be forgiven for the comment’s Promethean hubris, central as he was to the intellectual life of Xerox’s celebrated Palo Alto Research Center (PARC), where so many of the interface conventions we continue to rely upon today were invented. The plain fact of the matter is that an ensemble of techniques invented or extensively developed at PARC, over a period of a very few years in the early 1970s — among them the graphical user interface, the mouse, the windowing system and the kind of multitasking it enabled, laser printing — remain at the core of home and office computer use some forty years down the line. The tools and techniques that Kay and his colleagues at PARC experimented with for their own use really did change the way we all work, think and play, generating a multitrillion-dollar market in the process of doing so.
 
This unimpeachable set of facts certainly does seem to legitimate the premise at the heart of Kay’s claim: that collective futures are something that can be architected at will by the sufficiently visionary. Perhaps unsurprisingly, given the heroic role it casts them in, this notion has been embraced by successive generations of technologists, very much including those now busily at work “disrupting” the processes that have defined urban life since time immemorial. Judging from the frequency with which Kay is invoked in their PowerPoint decks and TED talks, at least, their various interventions in commerce and mobility, self-presentation and socialization, and production, distribution and consumption are consciously intended to realize coherent visions of the future.
 
But which visions? Where Kay’s work at PARC was at least liminally inspired by the liberatory ethos of the Bay Area 1960s — an intellectual current nurtured by the work of thinkers like Illich, Marcuse, Carson and Fuller, the upwelling of the Black Power, feminist and gay-rights movements, the anarchist Diggers and their experiments with Free Stores, Clinics and crashpads, the encounter with mystical-ethical systems of the East, and above all copious amounts of high-grade LSD — his latterday descendants appear to imagine futures of a rather different stripe. Those taking the boldest strides to transform urban life today range from explicit neo-Randians like Uber’s Travis Kalanick, to the avowedly technolibertarian developers of Bitcoin and the technology undergirding it, the blockchain, to those whose political projects — beyond a clear commitment to the standard tenets of entrepreneurial capitalism, as it expresses itself in the neoliberal period — are as yet unclear, like Elon Musk, Jeff Bezos and Mark Zuckerberg.
 
From the public comments, commitments and investments of these and other would-be disruptive innovators of their ilk, it is possible to assemble at least a rough picture of the world they wish to call into being, and therefore the urban forms and rituals that are likely to predominate in that world:
 
Where on-demand, local digital fabrication of goods (via 3D printing, numerically-controlled laser cutting and milling, etc.) is not possible, conventionally-manufactured products will be shipped, warehoused and distributed to the consumer via an almost fully automated supply and fulfillment chain. While it won’t be possible to do without human labor completely, entire job categories — warehouse worker, commercial truck driver, deliveryperson — will disappear from the economy, never to be replaced.
 
The means of production will be held (and such employment contracts as remain necessary issued) by distributed autonomous organizations, corporations manifested in and as self-directing software. With the greater part of the built environment networked at high resolution, and truly economic microtransactions enabled by digital currency, every market for mobility and commercial or residential space is “liquified,” or ruthlessly optimized for efficient, moment-to-moment value extraction. Access to space (microflats, single rooms, or even workstations) will be leased by the minute, while very, very few spatial resources will escape being harnessed for revenue generation.
 
For those who can afford it, on-demand, point-to-point mobility will be undergirded in most cities by a permanently orbiting fleet of autonomous vehicles. And all the while, thanks to the myriad sensors of the so-called internet of things, everything from physical location to social interaction to bodily and affective states becomes grist for the mill of powerful machine-learning algorithms set to anticipate a wide range of needs and desires, and fulfill them before they quite breach the surface of awareness.
 
In this world, the art of governmentality has been refined to a very high degree. Custodial organizations, State or otherwise, are furnished with a torrential flow of information about our choices, and the unparalleled insight into human motivation that can be gleaned from analysis of that flow. Prudent behavior on the part of the consumer-citizen is enforced by an array of personalized performance targets, incentives and disincentives presented in the form of brightly-gamified “social credit” schemes — networked carrots and sticks sufficient to keep all but the irredeemably anti-social acting within permissible bounds.
 
If this sounds like a grim, dispiriting and airless set of possibilities — and it certainly does to me — it is fortunately unlikely that this particular future will unfold in quite the way imagined by those now busily engaged in the attempt to realize it. Several decades’ accumulated experience with networked technologies suggests that whatever actual impact they do have in the fullness of time often bears little to no resemblance to the visions of the people who devised them, or indeed the concrete experiences of their earliest adopters. It would be profoundly foolish to suppose that technologies like 3D printing, the blockchain or machine learning will have no bearing on the form or function of large-scale urban environments. They undoubtedly will. But when would-be innovators promise that their inventions will directly drive radical change — whether undermining material scarcity and the commodity form (as the inventor of the RepRap 3D printer originally imagined his device would do), stripping bias from the operations of the criminal justice system (as the promoters of risk-assessment algorithms promise) or even allowing exchanges of value to abscond from the visibility of the State entirely (as ideologues of the blockchain hope) — we have reason to believe that circumstances will conspire to confound or even subvert their intentions.
 
Recall Steve Jobs’s astonished comment, upon being shown the algorithmically self-righting Segway scooter for the first time, that “they’ll architect cities around these things.” With this technology in hand, the prospect of undoing at least some of the damage done to cities of the twentieth century by the internal-combustion engine suddenly seemed a great deal more credible. The formless sprawl, the environments legible only at speed, the dependence for mobility on capsular vehicles that isolated occupants from their surroundings and one another, above all the air pollution: in the minds of its earliest advocates and enthusiasts, all of these circumstances stood to be transformed by the Segway. But compare this rather pleasant vision to the world we actually live in some two decades downstream from the Segway’s commercial appearance, where the vehicles remain limited to ferrying around annoying platoons of helmeted tourists, and perhaps the occasional airport security officer. Instead of compelling any gross transformation of the urban environment, let alone the way we collectively think about urban mobility, thus far the Segway’s primary contribution to everyday life has been inspiring the cheap, Chinese-made “hoverboards” whose lithium-ion batteries burst into flames with distressing frequency.
 
Or consider what eventually happened to Craigslist — when it first emerged in the San Francisco of the late 1990s, a virtually utopian space in which goods, skilled services and shelter circulated for free. A passionate community of users grew up around the early Bay Area Craigslist, and something very close to a true gift economy sprung into existence among them: a functioning ecosystem of exchange founded on goodwill and mutuality, in the very heart of the late-capitalist West. For these early users, much of what they’d previously resorted to accomplishing at retail was, for a time, furnished by a single humble, all-but-rudimentary website.

And yet, for all its promise and sustaining optimism, this apparition of an entirely different mode of citying somehow failed to take the rest of the world by storm. Putting the indifferent stewardship of its management team to one side, Craigslist was ultimately undone by nothing other than scale. As the userbase drawn by the enticing prospect of free or ultra-low-cost services spiked beyond the Dunbar number — the notional upper bound of a human community in which all the members know one another by name — the bonds of implicit trust necessary to any agalmic community became first harder to sustain, and then impossible to construct at all. And this was replicated in city after city, as the service was rolled out across the planet’s major metropolitan markets, in accordance with the build-once/deploy-many-times ethos that drives the software industry and the logic of unlimited scalability that governs the network. In many ways a victim of its own success, Craigslist just about everywhere soon became cluttered with nakedly commercial listings — listings whose propositions were virtually impossible to verify independently, which flowed onto the site at such implacable velocity that they crowded out the community-generated posts that had so strongly characterized its early days. (What’s more, the platform badly undercut the classified advertising-based business model most free local weeklies depended on, driving many of them to extinction.) None of this looked anything like the neighborly, human-scaled, practically utopian community of exchange its gentle founder Craig Newmark had intended to realize. The Craigslist at scale that we know today, harbor for slumlords, haven for scammers and human traffickers, isn’t so much a negation as an outright renunciation of its initial promise.  

Some technical innovations, of course, actually do result in profound alterations in the form, tenor and distribution of city life. For every internal combustion engine, safety elevator, tungsten-filament lightbulb or mobile phone, though, there are dozens of Segways or Craigslists. It is striking, furthermore, how often the technologies with truly transformational implications for the city were originally intended to address some other order of challenge or problem entirely. I very much doubt, for example, that Jeff Bezos had the cratering of high-street retail, the choking of big-city streets with parcel-delivery traffic or the staggering reduction in demand for warehousing labor in mind when he sat down to draft his first plans for an online book market.

This is a history we might wish to bear in mind when inventors, developers and other interested parties present us with claims that some new technology on offer will surely give rise to radically new (and invariably radically better) permutations of the city. We would be wise to consider that the things they propose will invariably be constrained by what the philosopher Jane Bennett thinks of as “the material recalcitrance of cultural products.” Deeply entrenched systems, structures that are psychic every bit as much as they are political or economic, lay in wait to capture and redirect the energies unleashed by emergent technology, and very often the result of this encounter is something starkly other than any innovators had intended. In this light, we should consider the possibility that Kay’s promise might have been little more than bravado all along, and the successful scaling-up to worldwide hegemony of the ensemble of tools he helped to develop at PARC a one-time, more or less irreproducible fluke, with no particularly salient implications for innovators in other times or places.

For all the sweep and verve of his framing of things, then, I personally prefer the perspective offered by another technologist: the great British cybernetician Stafford Beer, who argued that “the purpose of a system is what it does.” We should evaluate a technology, that is, by considering the outcomes it is actually seen to produce when deployed in the world at scale — and not the reputations of its authors, their intentions, institutional affiliations or prior successes, or the ostensible benefits that supposed to attend its adoption.
 
Applying Beer’s bracing realism, the most pernicious words in the technologist’s vocabulary are “might,” “could” and “can,” and the only meaningful test of a proposed technical intervention are the conditions it empirically gives rise to when deployed into a recalcitrant world. We oughtn’t properly even be speaking of “potential”; the only way to ascertain whether or not a given technical or techno-social proposition is indeed within the space of possibility is to build a prototype, deploy it, and await the results. And what we learn when we consider past innovations in the light of this unremitting standard is that technical development, for all its rigors, is the easy part of inventing the future. Seeing an innovation bedded in at the core of some longer-lasting transformation requires the much harder work of making space for it in all the interlocking systems that give shape to our lives: systems of law, governance and regulation, infrastructures both physical and financial (e.g. insurance), social conventions and practices, language, even entrenched habits of mind.
 
And this is perhaps truer still for those who intend to realize progressive urban futures. It is still possible to dream of cities in which the flows of matter and energy necessary to an equitable distribution of goods and lifechances are sustainable over the longer term, in which the rather abstract, Lefebvrian “right to the city” is made concrete in accessible, universal mobility and participatory political processes, and above all in which dignified, decent lives are possible. But translating these aspirations into conditions on the ground will require urbanists to develop fluency with a set of conditions that by and large remain opaque to them, even threatening.
 
We must in the first instance have the courage to think the city in the light of the more outré technical possibilities suddenly available to us. Just what does public space look or feel like, when each of the people occupying it is surrounded at all times by a cloud of semi-autonomous servitors and companions, virtual as well as materially embodied? What remains of high streets, Main Streets or malls once retail as we have known it, with all its ability to communicate, seduce and gather, is exploded into ten thousand separate acts of on-the-spot production or just-in-time fulfilment? What do prospects for entry-level or otherwise unskilled employment look like in that unbundled world, and how will that be felt in the tenor of street life? The ways in which these questions come to be answered will set the boundary conditions for everyday urban life, for the kinds of political struggle that are possible in the urban frame and for the subjectivities and selves that arise there.
 
As we reckon with the lines of flight that now open up to us, however, we must retain the clarity and integrity to ground these possibilities against everything we know about the fate of interventions past. We need to understand the captures, detours and reversals that perennially afflict emergent technologies at the point where they intersect with existing ways of doing, making, dwelling and being, taking note particularly of the fact that technologies that prosper and find traction in the world are very often those which reinforce existing inequities of power. What this implies for urbanists of a politically progressive stripe is that, for a given struggle, conventional community organizing may offer a far better return on investments in energy, effort or other resources than an attempt to drive change via technical means.
 
Working fluently with technology means stripping it of its unearned gloss of neutrality. All technologies are, without exception, expressions of one or another set of values, and therefore by any sane accounting ought to be contested terrain. When Uber becomes popular in a given city, for instance, and that popularity is explicitly cited as justification for not maintaining an adequate level of investment in public transit, we can be sure that what we are seeing is somebody’s values being enacted, if not necessarily our own.

Like any other professional or disciplinary community, the adepts of network technology hold tacit beliefs in common. They hold certain conceptions of the just, the true and the beautiful, think the world in certain distinct ways. If they cannot always realize their aims directly, it still behooves us to know what they believe, and understand what it is that they are trying to achieve.

Further, the particular set of values inscribed in a technology may have a great deal to do with its fortunes in the world, and how well it is able to function as a purposive invention of the future. Uber is a particularly resonant example; whatever else it may be, it enacts a kind of propaganda of the deed, or what the media scholar Alison Powell calls the argument-by-technology. The vision of hyperindividualism, invidious interpersonal competitiveness and unlimited-convenience-for-those-who-can-afford-it inscribed in the service dovetails perfectly with — one might even say “embraces and extends” — the neoliberal ethos that has prevailed in the developed world for the past four decades. And this perhaps explains why it has been realized, where the rather more humane visions undergirding Craigslist or the Segway plainly have not been. Wherever services like Uber go unchallenged, the imposition of these values is effectively a fait accompli — and with future resource commitments tending to be entrained by path dependence, that achievement sets the initial conditions for everything that follows in its wake.

In the end, perhaps the crucial insight is this: urbanists can no longer ignore the impact of developments like machine learning, large-scale data analysis and automation, or treat them as something external to our field of inquiry. Operating at every scale and level of urban life, from vehicle guidance to the mediation of sociality to the aesthetics of the built environment, they are clearly set to exert the most profound influence on the physical spaces of our cities, the things we do in them, the ways they generate meaning and value, and the very selves we understand ourselves to be. It’s no longer tenable for anyone who cares about the life of cities to hold this set of facts at bay, especially those of us who nurture some remaining hope that the master’s tools can be used to build other sorts of houses entirely. And while we needn’t and oughtn’t build our practices exclusively around this class of technologies, we might want to consider how to fold a nuanced, properly skeptical engagement with them into our approach to the design of urban space and experience.

AG on Moscardi, now in FOAM 51

AG reflections on Moscardi's photograph of FAU-USP in Foam #51, 2018

Well chuffed to see my micro-essay on this site’s header image — José Moscardi’s photograph of a 1969 student demonstration at FAU-USP — reprinted in the “On My Mind” section of the current issue of international photography magazine FOAM, no. 51, available now at finer newsstands everywhere. (If you can’t make it out from the image above, you can find the text in its entirety here.)

Four questions for the smart city

After a few solid years of thinking, writing and consulting about smart cities, I’ve distilled my recommendations down to four questions any municipal administrator or concerned citizen should ask when presented with propositions for the technological improvement of everyday urban life:

0. What does it do?
This question seems so obvious that you mightn’t think it needs to be posed explicitly. Incredibly, though, in my travels I’ve met a huge number of people, both in and out of government, who are so enamored of technological intervention both for its own sake, and for the gloss of modernity they think comes along with it, that they forget to ask just what it is they’re signing up for. Sometimes, indeed, they don’t even care. They should care, and so should you. What is the thing supposed to do in the first place?

1. Does it work?
Does the proposed intervention do what it’s supposed to do? This is by no means a settled matter of fact, even when dealing with technologies that might work stably and well in other contexts. Demand some kind of evidence that the proposed intervention actually functions in the way its vendors and advocates claim it will when deployed in an urban environment like yours, not just for a few weeks, but on an ongoing basis. If no such evidence is forthcoming, feel free to drive a much harder bargain, or to walk away entirely.

2. Do we agree that what it’s supposed to do is something worth doing?
A proposed technology might indeed do what its manufacturers say it will, but that thing might be monstrous — or at the very least, not something that a majority of citizens consider to be an end worth pursuing as a matter of public purpose. Say that someone is proposing to license and install new facial-recognition software for the city’s CCTV network, and that software reliably identifies 95% of the individuals that pass before its cameras. Is this a goal that the public has passed collective judgment on, and considers to be an acceptable expression of its will? (Are there procedures in place to reverse the deployment and its effects, should that collective judgment change in the future?)

3. Does it do that thing at reasonable cost, compared to other ways of addressing the issue at hand?
Maybe the proposed technological deployment serves an end that’s more or less universally regarded as desirable in your city, like reducing violence or vehicular traffic. And maybe the system on offer does actually (consistently, demonstrably, reliably) function toward that end. So far, so good. Are you convinced, though, that you’ve exhausted available ways of addressing the issue at hand that might be cheaper, less complex or less dependent on long-term systems integration, maintenance and upkeep commitments? Perhaps a summer jobs program is more effective at reducing youth violence than a cutting-edge predictive policing suite, and achieves its goals at a fraction of the cost (and without either abrogating the community’s rights or abrading its sensitivities). It might not be as superficially glamorous, and it won’t necessarily get your city talked about in puff pieces on cutting-edge urban innovation, but shouldn’t you exhaust that and other possible alternatives before shelling out in perpetuity for the complicated, big-ticket item?

Again, this almost shouldn’t need to be said in so many words, but: if you can’t come up with affirmative answers to questions 1 through 3, you should strongly reconsider whether the investment at hand is one worth making.

Note too that the framework I offer here limits itself to a consideration of the smart city at face value and on its own terms, i.e. those of financial cost-effectiveness and process efficiency. The truth, of course, is that are other ways of accounting for cost and benefit, and that the costs reckoned in dollars are neither the only ones incurred in any given deployment of informatic technology, nor by any stretch of the imagination the ones that matter most. But for the moment, let’s agree to place all such considerations to one side. What you might find startling, in doing so, is that the smart city very often cannot even justify itself on its own, artificially constrained terms.

Asia Art Tours interview

One of the things I love best about having done Radical Technologies for a publisher with genuine worldwide reach is that it’s found its way into places none of my previous books ever did. And a delightful consequence of that, in turn, is that I’m hearing from more readers with questions they’d like to discuss further, readers whose perspectives are often relatively far from the concerns of the people who have furnished the core of the audience for my books since Everyware days.

I’m always happy to answer their questions, if I can, and still more so when those questions come from disciplinary concerns or perspectives I rarely have occasion to consider myself. This was definitely the case with this next interview, conducted by Matthew Dagher-Margosian of Asia Art Tours. You’ll see pretty quickly what I mean about concerns or perspectives I don’t often get to think about, and I hope you find it as refreshing as I did.

Japan is host to numerous art forms whose masters are literally dying off, with no apprentices under them to carry on the art form. After reading [in Radical Technologies] about the Bushido Project, I’m wondering if you see projects like this as a way to archive and save art forms before the masters (and their knowledge) literally die. As with the Bushido Project, could (and should) we apply this technique to other art forms such as calligraphy, ikebana or ceramics?
It’s not my place to say, not having mastered any of those forms. But my gut tells me that from the senior practitioner’s perspective, the answer will depend very much on how they perceive their chosen domain of endeavor. In martial arts terms, do they think of themselves as practicing a or a ?

Perhaps I’m wrong, but I don’t imagine the practioners of an “art” particularly minding if their methods are abstracted and represented as machinic instructions, especially if in pragmatic terms it means the survival of their art and the continuing relevance of their contributions to it. But I do, very much, anticipate resistance on the part of those who conceive of what they do as a “way,” as a spiritual practice.

The possible exception, I suppose, would be those masters who share the perspective of the Heart Sutra — that is, that there is no “subject” of a spiritual practice, properly understood, and therefore that any possible distinction between human and posthuman sentiences enacting it is invidious.

Everyday I read about tech moguls being obsessed with emotional spaces like Burning Man, LSD usage, “cuddle orgies” or whatever the hell you’d call this trend from the New York Times. Why do tech workers (or perhaps just moguls) build “machines” and systems that tag, categorize and segregate reality but celebrate hedonism and unstructured creativity in their personal lives? Why do they want freedom and lack of structure in their own lives, but abhor this in the systems they build?
I have two answers, one perhaps kinder than the other.

The straightforward, if unkind, way of answering is to observe that a great many of the figures at the heart of our present technosocial revolution grew up fairly nerdy, with everything that then implied about self-esteem and social confidence. They may, indeed, have been drawn to technology because it presented itself to them as a realm governed by reason, logic and order, in sharp contrast to the fickle, unpredictable, unjust world of social interaction. But now that they’ve acquired a little capital, worldly power and recognition, and the self-confidence that goes hand-in-hand with them, they find that they’re better able to manage the pressures of the social world. They want to explore all the possibilities that have opened up for them, and most particularly the access to sensual pleasure they’re newly afforded.

And this can express itself with an almighty vengeance at SxSW, or still more so Burning Man. Everybody goes a little nuts their first time at an event like that, especially if they experience it for the first time as an adult, and nothing in their previous life has prepared them for it. I think what you’re seeing is simply what happens, predictably enough, when you combine temporal power, long banked-up desire and sudden disinhibition. The New Age trappings are just window dressing, scene-setting or priming for what they really want to do, which is Get Down.

A more charitable way of answering, though, is to point out that digital systems are still founded on a binary logic that both requires precision in its inputs and renders it in its productions. That logic renders reality in discrete intervals, which is astonishingly effective as a way of ordering the world so its contents can be instrumentalized or operationalized, but is pretty limiting as a mode of being. The world, by contrast, is continuous, or at least quantized at a level many, many orders of magnitude beneath our ability to perceive it. So looked at through a different, more generous lens, what your tech moguls are doing when they take a few hits of ecstasy and dissolve into a cuddle puddle on the floor of a friend’s loft is redressing an imbalance in their lives that they may or may not be consciously aware of. Seen this way, they’re giving themselves over to a rich, continuously variable reality of sensation and flow, precisely because their everyday experiences deprive them of such opportunities.

The truth, of course, is that very very few people in technology are close enough to the code for it to order their perceptions in any meaningful way. So my money’s on the former explanation.

Jaron Lanier (a big fan of music and art) among others has long praised VR as a potential for greater human connectivity and creativity…giving people a virtual play space to create and connect. I am wondering if you see this same potential? Is creativity and connection possible if these VR platforms are owned by monopolistic concerns as they are now?
Well, I personally wouldn’t look to Jaron Lanier for coherent thought about much of anything, and I think this is a great example of his shallowness.

The notion that virtual environments might foster a form of creativity is something I don’t actually have that much of a problem with. I mean, there’s plenty of precedent: there are any number of clever ways in which people have used the relatively limited expressive palette offered to them by something like Minecraft to generate something that speaks to them. An even more apposite example might be Second Life — as embarrassing and dated as it now seems to most of us, there are people who have spent literally months if not years of their lives in that environment, crafting objects and spaces that evidently communicate something intensely important to them. It doesn’t speak to me, but it seems foolish to argue that what they’re doing isn’t creative in some way.

But connection is a harder sell, and there I draw the line. Interpersonal relations in a virtual space are always and by definition going to be mediated through a sharply impoverished and heavily stylized subset of the communicative channels embodiment offers us. Anyone who thinks that’s “connection” is selling genuine physioemotional copresence pretty short, and in fact I’m moved to suspect that someone pressing that argument with vigor may never have fully experienced what it is to be emotionally present, vulnerable and available to another.

Most seriously of all, we already have a space in which to create and connect. It costs nothing, is owned by nobody, has no technical specifications, doesn’t require upgrades or ingame purchases or DLC to use effectively, and doesn’t go away when the power is cut off. We call it “reality,” and we undervalue it at our peril.

One of art’s great functions for the wealthy is that it occupies space, and by occupying space it occupies mind. Art hung on a mansion’s barren wall brings meaning that otherwise would make one question the purpose of their wealth and status. I’m wondering if art becomes non-physical (i.e. teamLab’s “digital museum”) or if art is produced by algorithm (non-human actors) how will the wealthy adjust? Will they be willing to support non-human created art that doesn’t occupy physical space (digital)?
That’s an interesting take, and I want to consider it further. My own observation is that the wealthy people I know very rarely spend any time in actual contemplation of the artwork they’ve collected. Once an artwork has served its dual functions of accumulating social capital and, well, capital-capital, it’s wallpaper, something that’s precisely not in mind. Perhaps they have occasion to contemplate a piece for a few seconds every time they get to show it off to new visitors, but for the most part it’s just there…appreciating but not appreciated.

But to your point, yeah, I just don’t see the wealthy broadly underwriting work that doesn’t support what we might call its Veblen functions — not unless it somehow redounds to their benefit socially. And what that implies for expressive media that can’t be tangibly consumed is, as far as I’m concerned, fantastic. It means that people who are there for the wrong reasons, for motivations other than those of sincere curiosity and excitement, just tend to evaporate and to bunk off to scenes where their desire for social affirmation is more straightforwardly rewarded.

The risk for any scene like that then becomes insularity and obscurity and self-referential preciousness, but that’s nothing particularly novel for niche creative communities the world over.

Regarding the Next Rembrandt project, do you anticipate entirely original artwork will soon be created completely by algorithms? And if so, how would its aesthetic merits be evaluated? For creative endeavors will we soon have digital critic algorithms critiquing (and rating and categorizing in recommendation engines) films/pieces of art produced by other algorithms?
I think we can approach an answer, albeit in kind of a crabwise manner, by considering a closely parallel question. I often argue that the true achievement of synthetic intelligence will lie not in defeating the highest-ranked human player of chess or go, but in devising a game as captivating as chess or go in the first place.

That, to me, is the test. By this standard, I don’t believe we can truly consider algorithmic systems capable of creativity until they’re generating expressive works that correspond somehow to their unique experience of the world. Not simply generating bizarre forms or sounds or images, that is, à la DeepDream, but producing forms and sounds and images that reflect aesthetic choice, that are structured specifically to express something, however ineffable. And I don’t think we’re there just yet, we may not get there for some time yet to come, and may indeed never quite get there at all.

There is always the possibility, of course, that we will simply not recognize this achievement if and when it does happen — that creative machinic systems will make their aesthetic choices in a medium, at a spatial scale or subject to a temporality which is beneath or beyond the threshold of human perception. What if the highest form of machinic creativity is manipulating material, social or geological dynamics to produce patterns in space and time that are somehow pleasing to the systems involved, that we don’t even recognize as the product of volition? There may well be genres of art that we’re not even capable of perceiving, let alone participating in.

As to whether other machinic systems will, in turn, evaluate those works of art, that would seem to suggest a coherent set of criteria for doing so, articulated by an agent that shares at least some subjectivity with the creator. And again, I just don’t think we know enough about the nature of emergent machinic intelligence to say whether or not such evaluations would arise unprompted. It’s hard for me, at least, to imagine why posthuman systems, acting purely amongst themselves, would feel the need to produce a structured set of discursive acts that fill the same role art criticism serves in human societies, but maybe that says more about the limits of my imagination than it does anything else.

Lastly, of all the subjects addressed in Radical Technologies, which do you see as potentially of the most use or of the most utility to future artists?
I mean, they’re almost all of them expressive media, they almost all support an aesthetics and a poetics…but I have to confess I’m personally really excited to see where precision digital fabrication goes. I think we’ll see some pretty subtle, potent objects arise out of that, whether formally devised via algorithm or by the human hand and heart.

“Against the smart city”: Impact metric, part II

Of such moments is a happy life made.

Once again, a note of cheer for those of you who may have suspected from time to time that all your creative efforts are in vain: this chart from a blathering McKinsey white paper on global adoption of “smart city solutions” acknowledges my 2013 pamphlet “Against the smart city” as part of an inflection point in the discourse.

Think about that for a second — I mean, I sure did, for well more than a second, and you can be equally sure it’s a thought I’ll return to in less affirmative moments. What we’re talking about here is a slim, self-published missive, written by an unaffiliated, uncredentialed independent, taking to task the offerings of hugely well-funded, global enterprises like IBM, Siemens, Hitachi, Cisco and Microsoft, and being cited by an equally global and well-resourced management consultancy as having helped blunt the force of their drive toward hegemony.

That the pamphlet in question was aided immeasurably by the simplemindedness, mendacity and brittleness of the things it set out to critique is beyond any doubt: you don’t need to wield much of a battering ram, after all, if all you’re trying to do is knock down a house of cards. Let’s be equally clear that by far the greater part of the c. 2014-15 retrenchment in corporate smart-city rhetoric stemmed from the fact that the multinationals found, to their great chagrin, that there simply wasn’t a viable high-return business model for what they’d been peddling. And finally, let’s not discount the influence of the multiple kinds of privilege I enjoyed (and continue to enjoy) in shaping the pamphlet’s reception. Those factors were all surely in play. But the lesson I derive from this experience is that at least some of the asymmetry and access to leverage those of us who were there cherished about the early Web remains a fact of the world — a fact that other uncredentialed, unaffiliated, independent actors can grasp and turn to their own advantage, whatever the flavor of their own particular struggle.

It’s not every day you wake up and see you’ve been given even partial credit for forcing Behemoth to alter its plan of attack, by a party granted all the credibility to perform such acts of discourse policing and consensus formation, and hope that the world is made that infinitesimal amount freer and more just as a result of your actions. As silly as this may certainly be, it’s also a gratifying and a sustaining thing. Know then that your pamphlet (mixtape, rant, supercut, outfit, etc.) can move mountains, if only by that much and only for awhile. I hope that more of you get to experience what that feels like — or still better, experience the reality of your impact for yourself, perceive it with your own senses instead of relying on some bottom-feeding consultancy to reaffirm what you already know to be true.

PETTY UPDATE: I get a huge, if somewhat cruel, kick out of seeing the McKinsey cats identify the June ’16 launch of Y Combinator’s New Cities initiative as a landmark moment in the triumphant return to credibility of the smart city. Headed up by the useless Ben Huh, New Cities appears to have been stillborn, with its blog featuring no activity to speak of since its initial announcement of intent, and a grand total of two posts on the associated research portal over the subsequent two years (one of which is a repost of the launch announcement). It really takes an impressive amount of intellectual dishonesty to anoint this as a milestone in anything but the annals of FAIL.

A place for antiheroic technology

As I seem to have acquired, in some quarters anyway, a reputation as an uncompromising and intractable Luddite where matters of networked technology in everyday domestic life are concerned, I thought I’d share with you today some minor evidence that I’m not unalterably opposed to each and every such appearance. I give you…the Ember.

This is precisely the kind of networked device I might have written off as a near-meaningless frippery a few years ago. It’s a nicely-designed ceramic mug with a rechargeable heating element built into its base, allowing you to set the temperature at which you prefer to drink your coffee or tea.

All it is, really, is a thermostat — but a thermostat in a surprising, and surprisingly welcome, place. There isn’t any computation to speak of going on. The networked aspect is nicely circumspect, and it’s mainly there to let a smartphone app serve as the user interface, keeping the mug itself appropriately stripped down. You pair it with a phone once, on first setup, and that’s it. Everything else is done through the app, and you don’t even need to interact with that too much once you’ve got your preferences dialed in.

I should say that Ember is not perfect, either as a product or as a piece of interaction design. The embedded, multicolor LED fails to communicate much of anything useful, despite its multiple, annoyingly blinky and colorful states; all I really need to know from it is when the mug needs to be recharged. That need arises far too often, at least when it’s set to maintain the temperatures at which I prefer to drink coffee. And inevitably, I have concerns about the nonexistence of any meaningful security measures, a nonexistence that in fairness is endemic to all consumer IoT devices, but remains inexcusable for any of them.

But Ember gets some things right, and when it does, they tend to be very right. By far the most important of these is that it works as a mug, prior to the question of any networked or interactive functionality. The vessel has a good heft to it, and when you set it down on a solid surface, the feeling of a damped but substantial mass that’s transmitted through the rubberized rings at its base is just very, very satisfying. The ceramic surface has a pleasingly velvety texture — so much so, in fact, that you can’t help but wonder if it’s one of those miracle materials that will turn out to have been threshold-carcinogenic twenty or thirty years down the line. It’s gratifyingly easy to clean.

And as far as that additional functionality is concerned, the mug does what it says it will, does it well…and it’s a hoot. It turns out that there’s a real Weiserian frisson to be had from something that violates all the subtle, subconscious expectations you’ve built up over a lifetime of drinking hot beverages from ceramic mugs. The confoundment of assumptions is so deep, indeed, that it takes you awhile to catch up with the new reality — to realize that you can go answer the doorbell or otherwise be distracted for five or ten minutes, and still come back to a piping hot beverage. In fact, Ember stands the principle of evaporative cooling on its head: because the heating element is still set to maintain a larger volume of liquid at a given temperature, but most of that volume will have been drunk away by the time you get to them, your last few swallows are noticeably, delightfully hotter than any you’ve had since first filling the mug.

To be clear, the Ember mug is not something anyone needs, especially at this price point. But I admire its clarity of purpose, in leveraging a modest deployment of technology to furnish its user with a small but nevertheless genuine everyday pleasure. And without wanting to be pompous about matters, I happen to believe there’s a crucial role for small but genuine pleasures in difficult times like the ones we happen to be living through. You may find yourself surprised by the degree to which a sip of hot coffee lands when you sip it forty or forty-five minutes after brewing — at least, I surely was, and am — and how psychoemotionally sustaining it can be when it does. Most of that is probably the coffee itself, doing what it is that coffee does, but better by far a networked product that is modest and humble in its aims, and succeeds in meeting them, than one which promises everything and does none of it particularly well.

Piling higher and deeper

Today I am deeeeeeeeeeelighted to share with you the news that my application to study toward a PhD in the Cities Programme of the Sociology Department at the London School of Economics has been accepted. Good god! I’m going back to school!

This is quite the fiftieth birthday present, and will require above all that I get over the little chip on my shoulder I’ve carried around for years about being uncredentialed, unaffiliated and unbound. This has been an enduring source of pride and strength for me, but I’ve come to feel like it’s outlived its utility, and has for the past little while actually functioned as a pretty sharp constraint on some of the things I’d like to achieve. Time to leave it behind.

Unending thanks to David Madden and Suzi Hall for your guidance and encouragement, to Saskia Sassen and Richard Sennett for your active support of my candidacy, and to Nurri Kim for your insight and counsel. I am so, so stoked — in fact, I cannot quite believe I’ve been offered the opportunity to learn and grow from this particular community of passionately engaged scholars. Let’s kick the tires and light the fires, I am ready to go.

Rewired interview

Here’s a brief interview I did with a new publication called Rewired. As you can see, I’m not always super-comfortable with the way the questions are framed, but hopefully manage to bring my answers in for a landing nevertheless.

Is there (or will there be) a possibility to be 100% tech-free in our society?
No society of human beings has ever been “tech-free,” since well before the moment we first emerged as a distinct species. Like other species on Earth, we have always used technical extensions of our being to enact the satisfaction of need and the fulfillment of desire — always, from before the beginning. Stripped of our technologies, we would not merely no longer be capable of constituting a society, we would no longer be human.

You write in the first chapter of Radical Technologies that phonebooths, Walkmans, etc., disappeared. Do you think that people become less attached to objects? But at the same time, why is there this revival of “old school” objects, like vinyl records for example?
Part of it, for the older generation of consumers, is no doubt nostalgia. Those of us who were born before 1980 or so have lived through quite an impressive lacuna: we experienced a trough of time during which a great many of the objects that had between them constituted much of the material substrate of social existence in the developed economies simply disappeared from the world. For these objects to reappear in a slight return — dusted off and perhaps upgraded — is a warm bath in the reaffirmation of a baseline psychic normality we thought had fled from the scene forever. As I write to you now I am within arm’s reach of an Olivetti Lettera 33 typewriter and a Western Electric Model 500 rotary telephone, neither of which I actually use for their intended purpose, both of which I keep around as exemplars of the modernism, dynamism and sophistication I remember from my early childhood.

And beyond that, there are real pleasures associated with these objects: pleasures that their contemporary near-equivalents simply do not afford, that have value independent of whatever nostalgia they may invoke, and that remain available even to those for whom they constitute entirely novel experiences and not reflections of something remembered. Though I don’t do so myself, I understand that playing a vinyl record isn’t simply a sterile act of media consumption. It’s an auditory and tactile and even olfactory experience, material in nature, sharply bounded in space and time, and in fact subject to physics in a way listening to Spotify just isn’t. That sure seems sufficient to explain why some of us might find the experience desirable.

How do you explain the fact that in democratic countries, people are consciously subjected to the dictatorship of tech?
I don’t think I know exactly what you mean by “the dictatorship of tech,” but if I understand you correctly, you’re concerned to know why people voluntarily choose the circumstances of their own oppression? All I can say by way of answering is that the dynamic has been recognized for well over a century, and has been addressed by everyone from Engels and the Frankfurt School to Michel Foucault, Martha Nussbaum and Noam Chomsky. I don’t myself believe that there’s anything particularly new about the information-technical turn in this regard.

Beyond that, I always feel a little hesitant, even a little shabby in ascribing false consciousness to someone else, as if I and I alone am possessed of an analysis of such Olympian clarity as to lay bare all the ways in which we pull the wool over our own eyes. Nobody you’ll ever meet is quite so smug as the undergraduate who’s just read Marcuse for the first time, or the barstool philosopher who’s seen Manufacturing Consent, and thinks that getting their news from Reddit somehow constitutes a brave, heroic end run around the process of discourse management. Don’t be that guy.

You talk in your book about low-waged labor forces in Shenzhen for example, to satisfy our consumption. Do you think that we became numb to other people’s situation? Are we in what Albert Camus would call the “murderous consent”?
We were always already numb to the suffering of the other — if, indeed, we weren’t actively indifferent to it. It is our present circumstances, by contrast, that begin to extend the remotest hope of learning from the confrontation with the consequences of our desires.

You write that apps like OpenDesk are revolutionizing the way we conceive things. With 3D printers, we can print chairs, tables, etc. You say that with a printer, a laser cutter and feedstock we can make anything at home. Do you find this worrying, as it is easy to imagine someone creating a 3D gun for example?
I do not say that with a printer, a laser cutter and feedstock we can make anything at home. I say no such thing.

What I do say is that the range of useful things that the untrained, ordinary person can now fabricate, equipped with nothing more than a printer or laser cutter costing a few hundred dollars, has grown considerably. And furthermore, that the range of such things not long ago expanded to include, yes, crude, rudimentary firearms, devised by ideologues and fanatics to prove precisely this point, as a kind of propaganda of the deed.

I don’t believe this is cause for any particular concern at the moment, as such weapons clearly tend to pose a greater threat to their own would-be users than they do to anyone else. But, you know, we can see what’s coming. It’s in the mail. And what that suggests to me is that polities or societies that wish to discountenance the spread of such weapons (or other notionally or actually harmful objects that might be fabricated in this way) would be best advised to adopt a layered defense in depth composed of multiple kinds of frictions, retardations and disincentives — in essence, a harm-reduction strategy rather than one of prohibition.

You explain that data has political involvements and that “the data is never just the data.” Do you think that governments are blatantly lying to satisfy data?
All governments lie, and always have — all human institutions, for that matter, not merely those of state. All human institutions will attempt to create an epistemic environment that’s favorable to their own continuation, by any means at their disposal, at both the micro and macro levels — even when this is not always in their own longer-term interest, as Goodhart’s Law suggests. The manipulation or selective release of statistics was an important component of this sort of effort in the twentieth century, and it is now augmented by the selective collection, manipulation of or differential analysis applied to machine-readable data, sure.

Yesterday, Elon Musk said he would make a platform to rate and track a credibility score for journalists. Do you think that more and more actions of the sort will start to take shape?
That’s funny. What might actually be more useful is a platform to rate and track Elon Musk’s credibility.

Housing Europe interview

In the runup to our June event in Tallinn, the good folks at Housing Europe have asked me to address a brief series of thoughtful questions. I share the questions and my answers to them with you here, in the hope that you’ll find them as usefully provocative as I did.

Social anxiety, introversion, isolation, and feelings of loneliness are on the rise, especially in the younger generation, a result of various factors including the irony-laden hyper-connectivity of social media, smart phones and screen time, general alienation from our schooling and work, our physical surroundings, ourselves and each other – is there any way in which technology could be used to actually curb this trend at all?
Well, there are of course any number of apps that claim to spur us to mindfulness and presentness, and I suppose there’s an argument to be made that the same hyperconnectivity you’re talking about actually works pretty well for some. I’ve seen studies suggesting, for example, that the most densely-connected social media users tend to score well above average on self-reported measurements of happiness and life satisfaction.

But as far as I’m concerned, it’s kind of a master’s tools/master’s house situation. I don’t think you can reliably underwrite the kind of psychically restorative, face-to-face interaction we seem to require with the same technologies that corrode our ability to attend to and be emotionally present for one another. There are powerful physiological processes engaged by the way smartphones and apps are currently offered to us that tend to militate against our very ability to be present: consider the way the flickering of our screens involuntarily entrains focus, so that you can’t not glance at a screen entering your field of vision, at least momentarily. Or the dopamine cycle, which, as we now know, is consciously exploited by app designers to capture and retain our attention, beneath the level of conscious awareness — that’s what the little red bubble with the number of unread messages is all about, it’s very carefully tuned to be an irresistible trigger to action. The notion that we might somehow override these very old, very deep features of our nervous system at will strikes me as naive.

So what’s the alternative? The alternative is to cultivate a greater sophistication regarding what networked information technology is for, where in our lives it’s best and most wisely deployed, and when the time has come to quite literally set it aside and surrender ourselves to an as-nearly-unmediated encounter with the other as we can feasibly achieve. But that itself takes education, and patience, and the desire to do so, and above all the recognition that it’s not by any stretch of the imagination always comfortable to be in the unmediated presence of another human being, their claims and prerogatives. There’s a skill involved with being copresent with each other in such a vulnerable way, or even a craft, and we could all use some refinement of that craft. Myself very definitely included.

Would it be advisable to build a city from scratch and, if so, would you enjoy being involved in this project and what guiding principles would you wish to employ?
Advisable? In the abstract, I’d have to say no. Most likely inevitable, though: the number of people worldwide who are now looking to avail themselves of urban density and urban opportunity — in not a few cases, mind you, because they were forcibly displaced from the land — will clearly stress the infrastructural carrying capacity of existing conurbations to the breaking point. So we need to bring new ones online, even if it takes a few decades for anything resembling a genuinely metropolitan sensibility to bed into such places.

Would I enjoy being involved in their design? Of course. Like any other urbanist, I have my own pet theories and received nuggets of wisdom about how it is one might go about designing a city so that it simultaneously underwrites equity, complexity, texture and sustainability, and I’d love the opportunity to put those theories to the test. Who wouldn’t?

As to what principles would guide me in any such engagement, it shouldn’t be too much trouble for anyone with even a glancing familiarity with my work to guess their general contours. The first is to provide maximum scope for people to determine the circumstances of their own being, as individuals and collectivities both. The second, which is obviously in a fair deal of tension with this, is to proceed always from the understanding that quality of life for all is best achieved by closely and respectfully attending to the needs of the most vulnerable users of a space.

Have your thoughts or attitudes changed or developed since 2013, when you wrote “Against the smart city”?
At the time I wrote “Against the smart city,” I was — very atypically — cowed by some bizarre notion that the pamphlet’s credibility would be enhanced by a relatively even-handed description of the things I was writing about, even though they were plainly terrible. Figuring that the smart-city schemes I was discussing were so prima facie foolish (or, in the case of PlanIT Valley, outright fictional) that a relatively uninflected account of them would speak plainly enough for itself, I just didn’t put things as sharply as I could or should have. Not to put too fine a point on it: I pulled my punches.

And what happened in the months and years that followed is that, on a fairly regular basis, I’d hear from the architects and engineers who worked on those efforts, people fairly intimately involved with the creation of Masdar or Songdo and so on. They’d write to me and say, “You know, that project was so much worse than you said it was. You have no idea how much worse.”

Well, look: I’ve spent a few years of my life inside large, multinational technology firms. I did have some idea. It’s true that I didn’t have the fine details at hand — and lordy, did they ever make for cacklingly schadenfreudy, if somewhat hair-raising, reading — but even given what I knew at the time, I certainly could have been more pointed in my critique.

The irony, of course, is that the pamphlet is clearly already pretty far to one side of the spectrum of published opinion on the question of the smart city. Yeah, there are a number of critical academic papers that treat the issue, some of them quite tasty, but as far as the popular literature on the subject is concerned virtually everything else out there is a more-or-less optimistic attempt to justify or recuperate the idea of the smart city. If we stipulate, then, that “Against the smart city” pretty much already defines one pole of debate, here I am suggesting that taking these insiders at their word means it should have been much harsher still. I shouldn’t have let myself been affected by tone arguments advanced by purely imaginary interlocutors in my own head, or watered down the truth of what I knew about the elemental mendacity and incompetence of smart-city schemes out of some profoundly misguided notion of the politics of respectability.

It’s a lesson I bear in mind whenever I’m asked to comment on things like Sidewalk Lab’s adventures in Toronto.

Migration as a result of conflict, poverty, land grabbing, climate and demographic change, as well as a type of continuous mobility as a consequence of the pursuit of education or employment opportunities, and, on a more positive note, our curiosity and desire to explore the world, means that we often find ourselves in new and short-term living situations. Could you think up a system in which people could be appropriately and comfortably housed on such a basis?
Sure, and it wouldn’t even necessarily look all that different from present-day AirBnb, at least in schematic. (Let me be clear that I have absolutely no problem with something like AirBnb, provided first of all that every permanent resident of a city in which such a service operates has access to safe, decent, centrally-located housing, unimpeded by considerations of income or affordability. The beef I have with AirBnb is the way it distorts the rental market, and secondarily the signature psychogeographical condition that tends to crop up pretty reliably when much of a city’s historic center is given over to the needs of tourists and other short-term visitors.)

And circling back to your earlier question, here’s a place where I definitely think networked technology has an important role to play in defining the contours of a decent, grounded, equitable modus vivendi. Along these lines, I did some thinking awhile back about what I was then calling “space as a service.” There’s also been some pretty innovative work on ways in which networked shelter and mobility assets might be integrated, epitomized for me by Höweler + Yoon’s Shareway 2030 project from a few years ago.

What do you think is the way — if there is such a way — to make sure that these “radical technologies” you talk about in your latest book actually serve an inclusive design of everyday life that does not leave anyone behind?
If there is a way, it would have to involve massively enhancing the inclusivity, the representational diversity and sheer invitationality of technological development organizations, so that the apps and services that set the bounding conditions on our lives aren’t exclusively devised by a markedly self-similar cadre of young, privileged, able-bodied engineers and designers. Designing technological products and services that are pertinent to and sensitive of the needs of people who don’t happen to process information, understand embodiment or experience space like the existing development cohort is necessarily going to have a lot to do with who’s in the room when the thing’s being made, and what power they’re able to claim. The watchword has to be “nothing about us without us.”

Note that I am not arguing that we need to “prioritize STEM education” above everything else, whatever that is, or god forbid that “everyone should learn to code.” But we need to get a whole lot closer to a paradigm of development by people rather than for them, or on their behalf. It’s not like this is by any means fully resolved inside urban planning, by the way — it’s a tension that’s been plainly evident since at least the mid-1960’s, and here I’m thinking of some of the more thoughtful critical responses to Paul Davidoff’s 1965 paper on advocacy planning. Not even the most skilled advocate will ever be able to fully evoke someone else’s lived experience of the world in all of the ways that are salient to a design challenge of this order, no matter how diligent or well-intentioned or empathic they may happen to be. So the task that lays before us is figuring out how ordinary people everywhere can meaningfully claim a voice in the development of the information-technical systems that now do so much to condition their life choices and chances.

Upcoming London events, June-July ’18

A few upcoming talks and other events around town I want to hip you to:

— First, with apologies for the vertiginously late notice, is an event I’ve been looking forward to forever: tomorrow night at the Tate Modern, I’m sitting down with the wonderful Sally Davies for a chat about Radical Technologies, cyborg urbanism, and whatever tactics of refusal and resistance remain available to us. Sally is hands-down one of the brightest people I’ve ever met, and the Tate’s a lovely venue for a chat, so this ought to be particularly good.

— June 15th at the RA, splendid Shumi Bose is chairing a panel for the London Festival of Architecture on which I’ll be appearing, and giving a brief talk called “Inhospitable Soil: Destination London and the Difficulty of the Commons.” This’ll basically recapitulate my recent writing on the Received Commons Aesthetic, and describe why common space has such an overwhelmingly hard time taking root in a city optimized for the shelter of bandit capital.

— Fast-forward a month, and there’s a rare treat in store for you: on the 15th of July we’re doing a Systems/Layers walkshop in collaboration with the Design Museum, details TBA. (This will be the fourth walkshop we’ve mounted in London, after explorations in Holborn, Elephant & Castle and the area around Euston Station, and I do believe we’ll be poking around King’s Cross this time.) Keep an eye peeled for registration information.

— Early July and the Design Museum, as well, means an event which I’m not quite at liberty to tell you about just yet, but which certainly has something to do with this. Swing by and Pawsonize — it ought to be goooood.

That’s it for London dates for the moment. I’ve got Helsinki and Tallinn coming up in early June, events in Rotterdam, São Paulo, Chicago, Toronto and Cordoba, Argentina, scheduled for late summer or early fall, and — if things pan out the way I expect them to — one or two surprises up my sleeve for the same time frame. But more about that later.